"How did you know that I would be up?" I bravely asked midway through the conversation.
I've complained about your old early morning habit, but the truth is, I like to know that you're thinking of me, even if it's early.
Perhaps you know that I don't sleep well when she's away. You assure me that she'll be fine at camp, but she broke her arm riding a scooter. Anything is possible, isn't it?
In forty minutes we catch up on what's vital: politics, the Stock Market, work. The personal stuff still seems to be slightly untrodden territory that needs to be rediscovered, but you ask me if I'm talking to anyone else, The Others as you refer to them.
None of The Others vaguely imitate the instantaneous attraction, the intellectual compatibility, or the off-the-wall humor of us when we were in sync. I freely concede this point.
Of the women that you've met and the women that you'll meet, there will be those who are more beautiful, more sexy, more intelligent, and more humorous than I.
However, I doubt that any of the proxies have those qualities in the proportions that I offer.
It's why you call me before the birds chirp, isn't it, even after all the arguments?
You hurt, and I bleed, too.
I listen to your voice and flinch at the unmasked pain.
I wish you'd let me care, but you've pushed me away. You refused to accept my love.
That action made me bleed.
Our sorrow is equal in many ways, and both of us have well-hidden insecurities.
You've figured mine out, and once in a while when we fight, you'll mention one or three.
Don't worry, I throw in the kitchen sink and the kitchen counter for good measure.
My temper displeases you, but I've experienced your yell.
Unlike you I don't bottle grudges. My anger spills forth, volcanoe-like. I speak words meant only for a moment.
You say little inflicting hurt through silence.
I'd prefer to be covered in ashes than endure stony silence.
Behind the curtain, on the stairs of the Academy, we wait.
You demand your hug but you haven't passed me yet. When you do walk by, I kiss your cheek. I watch as one of the other moms further down the line hurriedly brushes the lipstick mark from it.
A few minutes earlier in the dressing room you fussed that the package of brand new tights was incorrectly made so you had to wear your practice tights. The multiple on-offs of the costume and flesh-colored leotard had undone your up-do, but I remained calm although hair is my least favorite task.
My hands tremble.
I look at your reflection as I pin your braided hair into its requisite coil. You're beautiful. I see what the audience will see--a face that glistens like daisy petals in the sun.
We laugh at your pre-stage luck; you giggle about the inevitable pre-performance snafu: "Better the bad luck now than on stage," you say.
Who is this woman-child? I wonder, but I work in silence. My pounding heart is the pre-performance metronome. You'll dance beautifully. You always do.
Backstage is hazardous. It's filled with wires and pulley, tripping hazards of rosin boxes, scattered legwarmers, and exercise bands strewn underfoot like stray pieces of a neglected jig-saw puzzle, and there are scores of nervous and pesky stage moms.
I'm not pesky.
I smile to every girl, adjust bows, and fluff tulle. I'm not a dancer, but I know the necessity of tucked elastics for soft-soled shoes and smiling faces. Other than that I offer no performance wisdom. I'm just there for support.
I've never understood the perfomer's need to bask in the spotlight. It seems so risky to create in front of an audience.
I'm a writer most at home typing while barefoot. Mine is a solitary venture--no audience, no accolades---just introspection. On second thought I have company--words, lots of words. Dictionaries full of them.
I understand the dancers' need for expression, though.
I watch you calm yourself amongst the backstage bustle. You are present but apart.
In the minute before you rush on stage I think of how years ago you used to ask me what the ballet dancers "were saying" when they moved to the music. It was your little-girl way of asking what emotion the dancers evoked as they performed. You no longer rely on my interpretation, but sometimes, just sometimes, you ask me what the dancers are saying--just to see if we're on the same interpretative wave-length, or to humor me.
As I watch you perform from the wings, I think
Tonight your feet say confidence and your body says grace.
Tonight your performance says I'm growing up.
Tonight I say to you that you'll always be my little girl.
There are many was to have fun in Center City Philadelphia without spending a dime.
Use your imagination! Propose to your cohort that you'll select a guy walking down the street, smack him in the arm, and then offer the lame excuse of, "Oh, sorry, you remind me of my ex-husband." There's also the option of choosing a well-heeled stranger and explaining how his wife is cheating on him with his brother, but that's only because she's already tired of her play dates with his sexy younger sister. We never quite figured out how to explain to the random stranger that we know these things, but pretending to do such naughty acts can make you laugh for three blocks at least.
You can offer a complete stranger first dibs on your brownie dessert after you've threatened to steal one of his fries because you're eating broccoli and steamed chicken breast and he's got the better-tasting (read: high-fat) meal. You can also take pictures of your cleavage and send them as text messages to random people, but make sure your attractive waiter knows what you're doing so he can offer to give you his number. You can also torment your potential financial advisor by bringing along a friend who will let him know in no uncertain terms that he sucks as a sales person. "If you're too busy to drink water with me, you're too busy to manage my money."
The best way to have fun in Center City is to do nothing at all and wait for the fun to come to you.
As in just sit in Suburban Station reading the last pages of The Memory Keeper's Daughter and mind your own business. Then glance up and see a familiar face, smile, and say "Hi." Then it's back to reading until you're engaged in more conversation.
"If you don't mind me asking, where do you get off, if you know what I mean." You feel your face flushing as he flashes a sexy smile.
For a brief second you think "he can't possibly be flrting with the likes of me." So instead of giving him a sexy response like, "I get off looking at those baby blues of yours," you just lamely respond with your train number and station stop.
As he boards the train you think to yourself, "Center City is fun without spending a dime."
Loneliness tastes like that chintzy metal spoon often found in diners. You've been intimately acquainted with this type of spoon. It's the type that you rub with the white paper napkin to see if it's dirty or just really that dull.
The aftertaste lingers long after the spoon has left your mouth; even the thought of the spoon can make the tinny taste return. You go so far as to brush your tongue and rinse your mouth with industrial-strength mouthwash to rid yourself of the taste yet the metallic notes still resonate on the palate.
Loneliness is powerfully evocative, too. That feeling of isolation remains even after companionship has been achieved.
Loneliness is often stealthy; it tip-toes into our souls unnannounced. Even in moments of great joy we glance it from the corner of our eye as it floats past. Then it stings us--sharp, stabbing, needle-like pain delivered to our souls with surgical precision. If we're lucky it moves on. Finds another victim. However, sometimes it's brash; loneliness stomps into our psyches and takes up residence like an uninvited house guest. It even wants us to fluff the pillows and pay the rent.
I want to evict this feeling, but I don't know how.
Actually, that's a lie. I do know how; I'm just powerless to do so.

