The step is fondu. "Melt gently, slowly, " she directs the class.
I mentally conjugate the French verb as I become more aware of my posture on the wooden bench. I shift in my seat, place my feet flat on the floor, and stop slouching. How can you not be aware of posture in front of a room full of ballerinas and ballerinos ( to borrow a phrase from another dance teacher).
Is there any other way to melt? Their slippered feet enact the verb; I think about her words as I watch the class. Each time I've kissed a lover, my body gently melts into his--a soft merging while our souls whisper hello through parted lips. I like soft, tentative first kisses best--a treasured moment marking a shift in a relationship.
My mother's heart melts as I watch you exercise at the barre and have your flawed steps corrected firmly by a Russain ballet teacher. You look at me ; I nod. I was thinking your arms were too limp and your foot not pointed enough, too. I don't care if it's perfect, but I think you could try harder, yes.
"Look beyond the mirror to where the audience is; don't look at me," the teacher says to the class.
Look beyond the mirror. I do that a lot these days--look beyond the mirror's reflection. I don't see an audience, though. I see you at different moments--at your first boy-girl dance, at your prom, on stage clutching a diploma, studying at 2 a.m. wearing an oversized college sweatshirt.
I want for you the things I didn't have--and won't have--like love that looks beyond the mirror and sees the glory of the soul within.